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Current Edition

Volume 24, Number 1, 2013

Contents

Editorial - A question of taste 3


Not finally... Subjective views on matters journalistic 5
Dan Sabbagh, Syed Irfan Ashraf, Jane Martinson, Chris Moss

Leveson
Brian Cathcart - Why Leveson’s was a good deal 19

Mick Hume - Keep your nose out of the press 25


Mark Bryant - Celebrating the political stiletto 31


William Horsley and Jackie Harrison - Censorship by bullet 39


South Africa
Trevor Grundy - Don’t swap one cliché for another 47

John Dludlu - Who pays the bills for a free press? 53


Christine Finn - Home is where the art is 59

BOOK REVIEWS
Steve Bell on Joe Sacco 67
Julian Petley on Tim Luckhurst 69
Bibi van der Zee on Tony Harcup 72
Stephen Fay on James Toney 74
Peter Wilby on John Izbicki 76
Ivor Gaber on Tom Watson and Martin Hickson, and Peter Jukes 78

Quotes of the Quarter 1 – 58
Quotes of the Quarter extra – ibc
Ten Years Ago - The way we were - 66
Twitter Watch - 52
News - Paul Foot Award - 65


 

The judge done well
Brian Cathcart, founder and executive director of the campaigning group Hacked Off, offers a corrective to the way in which Leveson has been covered by newspapers. He believes the report amounts to a good deal for the press and the people.

Hands off the press
"The entire post-Leveson debate has turned reality on its head," writes Mick Hume. "The British press does not need a tough new regulator to tame it. The truth is that it is already not nearly free or open enough." Hume, editor-at-large of the website spiked goes on to argue his case with passion.

Censorship by bullet
Some journalists may be sceptical about efforts to stem the tide of violence against media workers. But William Horsley and Jackie Harrison make out a strong case for united global action to protect journalists from murder and call for an end to impunity.

Dominant males
Men continue to dominate the media, argues Jane Martinson, women's editor of The Guardian. She cites surveys showing that women are quoted far less often than men in newspaper articles, there are many fewer women political correspondents and only two female editors of national papers.

Blog: A question of taste
With so much now out in the open, it’s hard to see how press regulation can be stitched up away from public gaze. But what can be achieved by regulation amid the continuing post-Leveson confusion

The media beat is not for cissies
Dan Sabbagh, after five years as media editor of The Times and two more as head of The Guardian’s media section, reflects on the highs and lows of writing about “one’s own boss class.” It opens with a revealing anecdote about abseiling at Wapping.

Reporting risks
Pakistani journalists working in their own country are often treated like villains, writes Syed Irfan Ashraf. In noting that Pakistan has topped the list as the most dangerous country for journalists to work in for three successive years, he reflects on the continuing threat to independent journalism in his homeland.

The punditry racket
Chris Moss highlights the phenomenon of "the opinion club", the relatively small pool of people called upon by the media to offer their views. And he coins the word "opinionatedness" to define "the fabrication of a robust opinion without genuine passion", which he sees as "a sure route to fame."

The top drawer
Cartoon historian Mark Bryant salutes Vicky (Victor Weisz), the brilliant newspaper cartoonist who lampooned Hitler and his cronies throughout the war. But arguably the most memorable of them all was his portrayal of Stalin, after the Soviet victory at Stalingrad, as the Mona Lisa.

Africa: Tell it like it is
Trevor Grundy, who spent 30 years reporting from Africa, calls for a new light to be shed on the dark continent. With forecasts of Africa developing a tiger economy, he wants see a new cohort of "dedicated, experienced and intrepid reporters" telling it like it is.

Striving for freedom
South Africa's national and regional newspapers are in a fragile financial state. But there is much for them to do, writes John Dludlu, former editor of the Sowetan. At least they have secured their freedom from avoided state regulation. For now.

The art of reporting
Freelance journalist Christine Finn has blurred the boundaries between journalism and art to such an extent it is impossible to tell what is news and what is art. She explains the story between her remarkable "Leave Home Stay" project.